Joyful Noise, Again

I've had a number of homemade folk musical instruments pass through my hands - banjos, guitars, diddly bows, dulcimers, fiddles and more. Makers have incorporated gourds, license plates, sheet metal and old signs, gas cans and other surprising or incongruous materials. But this is all pine wood, and may be the crudest of them all. See how the F-holes were chopped out with a jackknife? The neck, 3 surviving tuning pegs and the body all seem to have been fashioned with the most basic tools. There's a black material like pitch on the front and back of the body. The leather strap and the single string were added long after it was made and used, if my close examination is correct. I'm convinced it was made to be played, and that the maker had made others like it before, because of some details like the grooved top nut and the way the peg ends were split to make a tight fit. Of course the bow is long gone. I can't imagine the sounds it made, but surely it was distinctive.

This one was found in rural north Georgia, not far from Appalachia to the north and not far from the cotton fields of the piedmont to the south. But you never know where, or whether, an object like this has traveled.

Imagine my surprise when I came across the 19th century photograph shown at the bottom.

More Joyful Noise

Check out this tiny troupe. They're armed with drums, tambourines, triangles, cymbals and more. Try to imagine the aural assault when this crew got things going. And most of the kids look eager and excited.

Otha Turner and His Cane Fife

I've meant for a while to post about a favorite artifact, one especially treasured because it comes from a tradition now nearly extinct. It's a cane fife, made by the late Othar Turner of Gravel Springs, Mississippi. Mr. Turner was perhaps the last master of American fife and drum. You may have heard his music without knowing it, as part of the soundtrack of Martin Scorsese's Gangs of New York. Turner was also featured in Scorsese's Feel Like Going Home, a delta blues documentary for PBS. In the film, when Turner and his musicians march across the fields playing fife and drums, it was as electrifying to me as Jimi Hendrix playing the Star Spangled Banner at Woodstock. His best known composition, Shimmy She Wobble, is named for the dancing it inspires (and is one of the great song titles of all time).

What finally motivated me to write about this fife is an article in The New York Times here, about the recent discovery in Germany of a five-hole flute made from bird bone which dates to nearly 40,000 years ago.

So here's an object that proves a human musical tradition going back that far. I don't mind telling you, it makes me say wow.

You can read more about Mr. Turner here, and check out a film about him here .

And here's some music.






In his own words:

I make my own fifes. The cane grows right down there in the ditch banks down in the bottom. First you go out there and cut you a piece of cane. You judge the length you want your cane-you going to make your fife a foot, or a foot and so many inches long. A two-foot cane is really too long to blow. It's best a foot or so, I reckon. And your cane should be a medium size around. Too large a cane and you can't tune it. That cane grows from the earth so high, see, and it's jointed. You pick you out so many joints and cut it off. Then you take your knife and dress it down.

You get you a rod of iron and put it in the fire and get it red hot, and bore you a hole in your cane. See, sometime if you don't get your hole large enough, that fife won't blow good, so you got to twist it around and blow that hole out. You got to hold that rod in there so it starts smoking and steaming. You hold it and then, whoop, slides it on through there. You put all them holes in there that way.

Thanks to Jim for letting me buy this object.

Otha Turner and Granddaughter Image Credit Bill Steber, more here.
Bone Flute Image credit Daniel Maurer, Associated Press.

Pylon

Noting with sadness the death yesterday of Randy Bewley, guitarist for the band Pylon. Pylon was formed by art students as an art project, more or less, using music, and was a very exciting part of the fertile music scene in Athens, GA in the late 70s and early 1980s. Members of both the B52s and REM have asserted that the best band to ever come out of Athens was Pylon. They were clever, innovative, never cynical and they would make you DANCE. Michael Lachowski, the bass player, is one of the more remarkable and versatile artists I've known. I borrowed his photos for the illustrations here.

Condolences to Randy's family and bandmates Michael, Vanessa Brisco, and Curtis Crowe. He will be remembered with admiration and appreciation.